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Real cover art
mainstream/January 7, 2026

Real

About this track

"Real" is a cinematic reinterpretation about truth, visibility, and being seen clearly beyond the noise. Inspired by Kanye West's "All of the Lights," the song uses a recognizable source of scale and pressure as the starting point for something more personal. Inside the Massive Imitation lane, vvviruz filters that influence through his own voice: image versus reality, ambition versus self-awareness, and the need to be understood as more than a surface impression. It is about standing in what is authentic without pretending to be something else.

Lyrics

[Verse]
I’m dropping hits and hits  
Like it’s a piece of cake //  
A lyrical pandemic-a spread they can’t escape //  
I stack the hate like stairs — that’s how I elevate //  
And I’m the microphone soldier, for the war I wait //  

Hey…
A war between the fake and the real //  
Pass me a microphone and then a beat — it’s time to kill //  
Time for the fake MCs  
To write a will //  
It’s time for the game to heal —  
That’s how I feel //  

Damn…

I gotta be first or the best, bro //  
I began to rep my block before the cocks can even crow //  
A monster in this game and I eat ’em like an egg roll //  
And I’m sure to hit my target, even with my first throw //  

Drill is cool, really. That mumble crap? Silly //  
A little stress and they fold like a damn willy //  
Y’all better not mess with me — I get spines chilly //  
No screens, no games… this ain’t Sin City //

[Hook]
I’m real - Not a dream, dream  
I’m reeeeeal - Not a film, film  
I’m reeal - Not a fic-tion  
I’m real - Not a picture  
Man, I’m real

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“Switch 2 (Déjà Vu)” is a trilingual flex track blending English, French, and Spanish, built as a modern reinterpretation of classics like “Casquette à l’envers” and “Ça fait mal.” The track plays on repetition, growth, and the feeling of reliving moments while leveling up. With multilingual flows, sharp wordplay, and a switch in energy mid-track, vvviruz bridges nostalgia with a fresh, global sound.

Arrive cover art
mainstream/January 7, 2026

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